Posts Tagged ‘heliker-lahotan’

The Beauty of a Residency

Posted on: September 19th, 2017 by jmbroekman 2 Comments
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The beauty of a residency

I am back on Great Cranberry Island at the Heliker-LaHotan Foundation this month, and am struck by not only this lovely island, but also the beauty of a residency. This September feels quite different than last. I’m not sure I can pinpoint what it is that makes me say that. Maybe it’s the earlier changing leaves; Maybe it’s the fact it seems harder to get up the hills on my bicycle.

Printmaking. Maybe that’s what’s different this year.

This year, unlike last, I have a press in my studio. Maybe that’s what’s making the difference. The beauty of a residency is that I can wander. For the first time in ages I am exploring the myriad options that printmaking presents in an unmitigated way. The printmaker part of my brain has been in fully activated. It is something of a return to my roots – and interestingly, the work showing up harkens back to my early days of making art.

Landscapes. Maybe that’s what’s different.

Last year I filled a mess of sketchbooks with drawings of the landscape. How could I not be inspired by being surrounded by all this beauty? Those landscapes, however, didn’t show up in the work in a specific way. The abstract paintings did capture the light, the palette, and the feeling of freedom I had on the island. This year, though, there is a clear and conspicuous link between the prints and the drawings. The work feels even more fully integrated this time around.

The beauty of this time and place.

The sheer beauty of this gift of time is that the work has all this breathing room to lead me in unexpected directions. It took me completely by surprise when I gravitated toward more figurative based work. Unfortunately I spent the first week resolving all kinds of technical issues, and was pretty frustrated – wondering if I really wanted to make prints at all any more. Lo and behold, being the stubborn woman I am, I persisted. I am so glad I did. Allowing myself to try all kinds of approaches to making a print and an image has yielded completely unanticipated results – and that truly is the beauty of a residency.

Great Cranberry Island Drawings

Posted on: October 12th, 2016 by jmbroekman 1 Comment
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Great Cranberry Island drawings from my sketchbooks

I am home again, trying to get organized and settled. My studio is in need of a major clean-up, which is often the case after I’ve been away from it for a period of time. In the meantime, though, I’ve posted pictures of several pages of Great Cranberry Island drawings from sketchbooks I completed last month. You can see them here, or by clicking the link in the sidebar to the right under pages, titled “Great Cranberry Island”.

The drawings and sketchbooks are just part of what I did on that little rock off the coast of Maine. I spent most mornings out and about on the rocks, drawing from the magnificent landscape. In the afternoon I was in my studio working on several mixed media abstract paintings on paper. The paintings reflect everything I was inhaling on this spit of land surrounded by water: the light, the natural beauty, the sounds of the tides coming and going; and perhaps most importantly, the paintings are a reflection of the sense of freedom and joy that I felt there. Thank you Heliker-Lahotan Foundation!

On Being an Artist – Part 2

Posted on: August 17th, 2016 by jmbroekman 6 Comments
The beginning of a new book of collages
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Thoughts on being an artist in this always-connected-digital world

This is a continuation of the most recent post in which I lamented that being an artist isn’t always as easy at it looks. Has being an artist become even more complicated in this always-connected-digital universe?

You could argue that the digital age makes being an artist easier, rather than more difficult. There are so many ways to reach your audience. Yet, there is something about putting work “out there” whether here on this blog, on FaceBook, or Instragram, that keeps a questioning eye peering over my shoulder. For those of us who lean sharply toward the side of self-doubt, this social media landscape often feeds our worst internal demons. I almost always hesitate before hitting the “post” button, questioning myself and my motivation, before sending whatever it is out into cyberspace. Are you sure that’s ready for prime time?

I am told, however, that as an artist not connecting is not an option. And if there is one lesson that being an artist teaches, it’s that you have to look fear right in the eye, and do whatever it is anyway. So in I jump with both feet and allow the crazy current to carry me where it will. On the plus side, I’ve gotten a ton of positive feedback, and discovered a mess of really talented and inspiring artists out there. In the end, I like being able to stay in touch and share my work with all of you, near and far.

On being an artist – and finding time to disconnect

Courageous acts as an artist also include sending out applications (for grants, shows and residencies). As my grandmother always said “No you’ve got, yes you can get“, which I wrote about here. With that in mind, I applied for a residency at the Heliker-Lahotan Foundation. To my great delight, they invited me to spend September on Great Cranberry Island!

I am looking forward to working with abandon; letting my curiosity take me where it will, without expectation of what the work should be; slowing way down to live inside the work, and giving that little voice of doubt over my shoulder a vacation. This time away, I am confident, will propel my work forward for many years to come. Can you tell how excited I am about this opportunity?